While Chuck Jones and John Hubley were playing with limited animation from an artistic standpoint, studios like Hanna-Barbera and Filmation quickly recognized it as a way to save time and money. Speaking of television, its place in the widespread reemergence of limited animation definitely cannot be forgotten. He encouraged animators to experiment with primitivism and expressionism in the 1950s and 1960s, leading to the development of some pretty trippy stylized backdrops and character models that would became a major influence in the following years, with most Western television animation owing something to UPA shorts like Gerald McBoing-Boing to some degree. John Hubley from UPA was a well-known advocate of limited animation as art. everything at United Productions of America. The more detailed and realistic animation of Disney and Fleischer Studios would eventually take over and dominate the field, until the 1940s and 1950s, when two things happened: Chuck Jones's The Dover Boys short over at Warner Bros. The technique was popular in the early days of animation and can be seen in J.R Bray's first animations and early comedy shorts like the Colonel Heeza Liar series, since it had very stiff animation and they're moving comic strips. ![]() This trope also covers using deliberately abstract character designs and backgrounds that will not obviously clash with the low production values. ![]() The practice of using mix-and-match parts in animation, rather than having a completely new drawing for every new frame. ![]() Fred Seibert, in defense of Hanna-Barbera
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